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WEEK # |
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TOPICS |
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EVENTS |
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1 |
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Course philosophy, introduction to the facilities etc. |
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- Term assignment: "The same again differently"
- Darkroom orientation
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2 |
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Anne Cahill, Nikon Inc., Technical Representative
(come prepared with questions regarding equipment use) |
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Darkroom orientation |
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3 |
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Introduction to Digital Imaging (Dan van Roekel) workshop in 3 groups, individual reviews per sign-up schedule |
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4 |
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Production |
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Workshop I (Aaron Wittkamper and Aaron Malnarick) |
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5 |
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Individual reviews
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Paul Messier, Guest Lecturer on Color Photography and Processes |
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6 |
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Class review (last class review before midterm! Please pin-up prior to class) |
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Production & Lighting Workshop with Dan van Roekel |
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7 |
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Production |
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Midterm Review |
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8 |
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Class review |
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Photography in the Museum: Metropolitan Museum of Art, NYC |
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9 |
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Class review |
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Introduction to local art venues: Bill Arning, Curator, MIT List Center |
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10 |
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Workshop II |
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11 |
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Photography in the Museum: New York visit |
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12 |
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- Individual Reviews
- Critique (last class review! Address all important issues!)
- Production
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13 |
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Production |
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14 |
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Final Review |
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Production - Each student works on a self-initiated project or group project during this time in the darkroom or computer lab; field work is possible and must be presented in the following individual or class review; production is generally two weeks before midterm and final reviews.
Talk - Each student is required to give a 10-15 minute presentation on one artist/photographer listed.
Individual review - prearranged meeting to discuss student projects in further detail with Instructor; 15-minutes.
Class review - Projects are continuously presented in a critical forum.
Final class review - project must be completed and installed, exhibition situation Talk Topics.
Potential artists - Candida Höfer, Duane Michals, Andy Warhol, Alfredo Jarr, James Nachtwey, Cindy Sherman, John Gossage, Joel Sternfeld, Lewis Hine, Robert Frank, Richard Misrach, Michiko Kon, Simon Attie, August Sander, Dorothea Lange.
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